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 YOUNG,NEIL - MIRROR BALL
Released:1/6/1995
Condition:New
  
YOUNG,NEIL - MIRROR BALL

Price: €9.99
Format: Compact Disc
Availability: Immediate Dispatch

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No, THIS is the album on which Neil Young sounds like Neil Young again. Not RAGGED GLORY with its pulverising guitar catharses--that was the sound of rust waking up--and not SLEEPS WITH ANGELS, which was Neil Young using old tricks to eulogise a new dog. They're both important records, but MIRROR BALL is, plainly, a great one, an album of cosmic brooding and monstrously simple guitar riffs that ranks with his classic '70s discs.
Young's band for this unlikely masterpiece is Pearl Jam, who end up sounding less like their accomplished selves than like Young's longtime garage band, Crazy Horse, only denser, because there are more guitars here. Mostly, they bash out supradistorted, plodding power chords, opening up a loud space for Young to bang out his own riffs and solos and croon like a cosmic cowboy. The songs are typical Young epics, with verses so sadly pretty that there's no overriding need to change anything once they get going--quite often, he doesn't. "Act Of Love" is a continuous exchange of two two-chord sections--ABABAB etc.--either of which could make for a classic-rock standard on its own. And the 7-minute long "I'm The Ocean", a manifesto for a wandering poet that pulls in imagery of American Indians, cars and the O.J. trial, goes one simpler, being the same four chords repeated 62 times--no chorus, no bridge, and no call for either. Young and Pearl Jam rock with the excited, can't-stop energy of a first rehearsal take, which some of these tracks may well be--listen to Young call out "let me just play the groove for a minute" at the start of "Downtown".
Halfway through the album, Young goes to a pump organ for a haunting, 45-second song about "What Happened Yesterday". Much of what follows sounds like more notes on the death of Kurt Cobain, a journal Young started on SLEEPS WITH ANGELS. "Scenery" is a bitter look at stardom in America, but "Peace And Love", which invokes John Lennon, is a plea to live through this: "Stay for the children/You don't really want to go". It defies the rock ageing process that Young, at 49, can still speak in a voice that resonates with Cobain's generation, who could well be his children ("People my age/They don't do the things I do", he notes in "I'm The Ocean"). But he inspired them, and they him, and MIRROR BALL finds him back at his game without having to fit into a new flannel shirt. He was already wearing one.

Track Listings
Discs 1
1)Song X
2)Act Of Love
3)I'm The Ocean
4)Big Green Country
5)Truth Be Known
6)Downtown
7)What Happened Yesterday
8)Peace And Love
9)Throw Your Hatred Down
10)Scenery
11)Fallen Angel

Categories
  • Rock/Pop

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