Home   Vinyl   Audio   DVD    Blu-Ray   4K   3D   Accessories   T-Shirts   Hi-Fi   Sennheiser   Jabra   Jam   Marley   Books   Online Gift Vouchers   Contact 
shopping_basket (0)
search
 DON CHERRYS NEW RESEARCHES FEAT NANA VASCONCELOS - ORGANIC MUSIC THEATRE: FESTIVAL DE JAZZ DE CHATEAUVALLON 1972
Released:2/9/2022
Condition:New
  
DON CHERRYS NEW RESEARCHES FEAT NANA VASCONCELOS - ORGANIC MUSIC THEATRE: FESTIVAL DE JAZZ DE CHATEAUVALLON 1972

Price: €42.99
Format: LP
Availability: Immediate Dispatch

Add To Basket

Submit Review

2 LP

In the late 1960s, the American trumpet player and free jazz pioneer Don Cherry (1936–1995) and the Swedish visual artist and designer Moki Cherry (1943–2009) began a collaboration that imagined an alternative space for creative music, most succinctly expressed in Moki's aphorism “the stage is home and home is a stage.” By 1972, they had given name to a concept that united Don's music, Moki's art, and their family life in rural Tagårp, Sweden into one holistic entity: Organic Music Theatre. Captured here is the historic first Organic Music Theatre performance from the 1972 Festival de jazz de Chateauvallon in the South of France, mastered from tapes recorded during its original live broadcast on public TV. A life-affirming, multicultural patchwork of borrowed tunes suffused with the hallowed aura of Don's extensive global travels, the performance documents the moment he publicly jettisoned his identity as a jazz musician, and represents the start of his communal “mystical” period, later crystallized in recordings such as Organic Music Society, Relativity Suite, Brown Rice, and the soundtrack for Alejandro Jodorowsky's The Holy Mountain.

The musicians in Don Cherry's New Researches, hailing from Brazil, Sweden, France, and the US, converged on Chateauvallon from all over Europe. The five-person band—Don and Moki Cherry, Christer Bothén, Gérard “Doudou” Gouirand, and Naná Vasconcelos— performed in an outdoor amphitheater and were joined onstage by a dozen adults and children, including Swedish friends who tagged along for the trip and Det Lilla Circus (The Little Circus), a Danish puppet troupe based in Christiania, Copenhagen. The platform was lined with Moki's carpets and her handmade, brightly colored tapestries, depicting Indian scales and bearing the words Organic Music Theatre, dressed the stage. As the musicians played, members of Det Lilla, led by Annie Hedvard, danced, sang, and mounted an improvised puppet show on poles high up in the air.

The music in the Chateauvallon concert aspired to a universal language that would bring people together through song. In a fairly unprecedented move, Don abandoned his signature pocket trumpet for the piano and harmonium, thereby liberating his voice as an instrument for shamanic guidance. The show opens with him beckoning the audience to clap their hands and sing the Indian theta “Dha Dhin Na, Dha Tin Na,” and the set cycles through uplifting and sacred tunes of Malian, South African, Brazilian, and Native American provenance—including pieces that would later appear on Don's albums Organic Music Society and Home Boy (Sister Out)—all punctuated by outbursts of possessed glossolalia from the puppeteers. “Relativity Suite, Part 1” notably spotlights Bothén on donso ngoni, a Malian hunter's guitar, prior to Vasconcelos taking an extended solo on berimbau. A vortex of wah-like microtonal rattling, Vasconcelos's masterful demonstration of this single-stringed Brazilian instrument is a harbinger of his work to come as a member, with Don, of the acclaimed group Codona. The sounds of children playing on the ensemble's achingly tender rendition of Jim Pepper's oft-covered beacon of spiritual optimism, “Witchi Tai To,” lends the proceedings an especially intimate, domestic glow. Given the context of the star-studded international jazz festival, the concert's laid back, communal vibe feels like an attempt by the Cherrys to show Don's jazz audience that he was moving on. At the same time, however, Don was extending a warmhearted invitation for them to come along for the ride.

With liner notes by Magnus Nygren.

Released as part of Organic Music Societies, a Blank Forms project that also includes a book, art exhibition, and performance series devoted to Don & Moki Cherrys collaborative practice.

Track list:

1. Intro: Dha Dhin Na, Dha Tin Na
2. Butterfly Friend
3. Elixir
4. Amazwe
5. Interlude with Puppets
6. Ganesh
7. Elixir Reprise / Witchi Tai To
8. Resa
9. Relativity Suite, Part 1
10. Berimbau Solo
11. Interlude / North Brazilian Ceremonial Hymn
12. Elixir Reprise / Ganesh
13. Ntsikanas Bell / Traditional Melody


Categories
  • Jazz

  •  Customers who bought this item also bought:
    HEY WHAT
    €29.99
    Add To Cart
    Add To Cart

    Sign-up to our newsletter
    Marketing Permissions:
    Tower Records Dublin will use the information you provide on this form to be in touch with you and to provide updates and marketing. Please let us know all the ways you would like to hear from us:
    Email:
    You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at towerrecordsdublin@gmail.com. We will treat your information with respect. For more information about our privacy practices please visit our website. By clicking below, you agree that we may process your information in accordance with these terms.
    GDPR

    We use MailChimp as our marketing automation platform. By clicking below to submit this form, you acknowledge that the information you provide will be transferred to MailChimp for processing in accordance with their Privacy Policy and Terms.

    Location and Opening Times For...
    Telephone
    003 531 671 3250